A Gift to Humankind, Born at Bell End

 

 

The Who gives a fuck button for Facebook. Don’t say we never give you anything. Think of the myriad applications. Try it now on the posts currently littering your Facebook home page. Works every time, right? The ones about rescued dogs, the kid’s mangled Mothers Day Card, the new pictures on the refreshed website, the me and Wyatt just had the best gelato ever going to have to jog for twice as long tomorrow morning,  the landed in Berlin and am so excited does anybody have recommendations for a good bratwurst, the best Mom ever, the BBQ in Prospect Park please bring Frisbees, the check out my new story in Dwell, the kid eating mac ‘n cheese, the lecture on Fracking at the Brooklyn Ethical Society, the pies, the flowers, every last one of the kitties and babies. Try it. Even the posts you like look so much better with a Who gives a fuck next to them. I’m personally Who gives a fuck-ing every post I do on Facebook from here on, as a badge of honour.

This is what happens when Pia Dehne and Selwyn Lovely drive from Brooklyn to the Catskills together in Helmut, the Bell End Volkswagen. The skills and execution, however, are all Pia’s.

May 14, 2012  • Posted in Announcements  •  Tagged with: ,  •  Leave a comment

The Faces of Bell End – Guido Vitti (Chapter One)

It’s been a month since we air-kissed at the preview of Neil Powell’s Bandits at Bell End, where we took advantage of a tidal ebb of the assembled Beautiful and Damned to inaugurate the 2012 Faces of Bell End Projekt. Guido Vitti, enthroned like Aslan in the master suite, a necklace of lovelies cascading down the stairs awaiting their 1 minute beneath his snuffling snout.

Andrea

As previously mentioned, this is only phase 1 of the proceedings. As the year (and everybody’s patience) wears on, and in particular as Spring sidles into summer, he will reappear on the prow of the floating staircase like one of those Jacobean ghosts wearing a ruff and carrying their head under their arm.

Bethany

If Selwyn press-ganged you up the stairs this time, then good. Doesn’t mean he won’t do it next time too, though. And if he didn’t, then he assuredly will. But really, shouldn’t you feel proud, flattered even? To be one of The Faces of Bell End? I mean; it’s going to be a website, a show, a book, maybe a calendar even. Y’know one of those things whereby there’s a book about a place and a scene and you see somebody reading it and say ‘oh, I used to go there and do that’, and they say ‘oh really, are you in the book’ and you say … well, what do you say?

Neil

Sara

Todd

Angharad

Paola

Tamara

(All photographs: Guido Vitti)

May 12, 2012  • Posted in Reflections  •  Tagged with: , , , , , , , , ,  •  Leave a comment

He Can Tempt You And Lead You Astray

Since Selwyn gave up the cloth and arrived in Brooklyn to run Bell End for his overwrought younger sibling, The Lovely Brothers have been beavering in the rectory. The fruits of their labours will emerge soon. In the meantime; a sneak preview of the new album, viewable with tender motion on Julian Richards’ (who the fuck is he anyway?) site.

Now if I were a king and a ruler of nations, 
With diamonds and jewels profound, 
Well, I’d rather know that I had salvation, 
Than to know my reward 
Would be Perkin’s jeweled crown. 

Perkin’s jeweled crown, I’ve worn it so long,
But God for my soul has reached down.
His love set me free 
He made me His own, and helped me cast off 
Perkin’s jeweled crown. 

Oh, the life that I live, so sinful and needless, 
Drinkin’ and runnin’ around, 
All the things that I do for the love of the devil, 
I know my reward 
Will be Perkin’s jeweled crown. 

Perkin’s jeweled crown, 
I’ve worn it so long, 
But God for my soul has reached down, 
His love set me free, 
He made me His own, and helped me cast off 
Perkin’s jeweled crown. 

May 7, 2012  • Posted in Announcements  •  Tagged with: , , , ,  •  Leave a comment

Lost Tribes of Whitechapel: The Wild, The Innocent and the Bell End Shuffle

‘And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of Bell End moved across the face of the waters …’

"Hundley's art is so convincing, somebody mistook it for the door to the Gents"

With its sophomore squirt at the Art World behind it and a wad of frequent flyer miles in its buttock pocket, the Grand Synod of Bell End elected to pack Selwyn off to the Old Country for five days; a contemporary hybrid of sabbatical, research expedition and rehab. He’s been looking more and more like Kate Moss in recent weeks. What better bullseye at which to aim his whittled arrow than Marc Hundley’s and Matt Connors’ inaugural exhibit at Herald Street, in London’s storied East End. What to expect? Pearly Kings and Queens, Steak and Kidney Pies with fingernails in ‘em Guv’nor, Chirpy Chappie taxi drivers whippin’ yer dahn the Old Kent Road singing The Lambeth Walk, ‘alf a bottle of Vera Lynn and a finger up the Gary Glitter?

Ensconced in what used to be Mr Smedley’s office at the recently converted Town Hall Hotel in Bethnal Green (his pubes still garnish the skirting boards), Selwyn held court with a coterie of old lovelies from yesteryear; there was Camberwell’s finest – Paul (Betty Slocombe) Bromley and David Willis. There was Henrik Knudsen, Olivia Beasley, Julia Crouch (whose latest novel Every Vow You Break has just hit the stands) and her friend Anna. There was Jonathan Willis. And of course … there was Ian Hundley, slowly transmogrifying into Mr Humphries from Are You Being Served … and there was Marc Hundley, the Original Licking Elf. The Hundley Boys, together once more like a 40 year old zygote. Sphynx kittens, curled up on the same double bed in a converted Whitechapel Georgian, purring, like Yin and Yang.

A word from our New York sponsors at GMHC

Festivities began on Friday evening; dinner for select glitterati at Tayyabs legendary curryhouse, finest Pakistani this side of Bradford and barely a bowel-movement from Whitechapel tube. Selwyn grabbed a seat between I Gemelli in the thick of the New York refugees, and proceeded to talk dirty with Carrie Imberman, who he only ever meets at free gallery dinners. They can both be found at the end of the evening filling brown paper bags with leftovers. Fascinating to hear that her standard poodle Iolanthe is in heat; apparently the vulva turns a ripe shade of burgundy and swells up like a catcher’s mitt. More conversation and some glances down the willowy cleavage of Maryam L’Ange, whose husband Ash (along with Nicky Verber) was instrumental in bringing Hundley to the unwitting burghers of Bethnal Green.  Ryan McGinley, translucently lovely in Thin White Duke mode, sipping cranberry-and-soda, scuttling off crab-like to avoid the attentions of an enormous Visigoth. Matt Connors himself,  sweet, tender and reddishly-bearded (a pervasive theme, we later realised … the arthouse Chas ‘n’ Dave look). The Singha flowed, combining in the belly with fields of poppadoms, causing rapid inflation; the methane from our table alone could have lit the lamps of Olde London for a fortnight. Knobbly little lamb chops, tossed by harried waiters to the multitude, who barked and snatched them from the air like seals.

Selwyn and Ryan observe the goings-on at the Herald Street colonic stand

Saturday evening saw the commencement of festivities for the masses; a distinctly unprivate private view, mobbed by fay young men sporting Angora beards. A collective shearing would have yielded blankets for half the homeless of Bromley-by-Bow. Western Massachusetts has arrived in Bethnal Green and is taking no prisoners. Everyone sluiced down Kronenbourg 1664 like it was 1664; nubby bottles served by delicate twin jockeys, each decked out as Charlie Manson. We spotted Jim Colvill, who stood out from the crowd, being neither bearded nor bald. Marc and Matt shone like Uranus in retrograde, accepting the plaudits of the multitude with grace, humility and the question “do you have any ‘shrooms?”.

"Okay, okay, FIVE pounds, and not a penny less ..."

Then on we went, the whole House at Pooh Corner, to Whitechapel’s own LHT Urban Bar, the only pub east of Covent Garden named after a milk homogenization process. Following several mishaps involving the local constabulary, Selwyn has sworn off pubs with exteriors painted in Big Cat themes. No more trips, for instance, to The Hungry Leopard in Basingstoke, nor Johnny Cougar’s Alehouse, Parson’s Green.  So it was with some trepidation that he read the ESL promotional blurb:

The LHT Urban Bar is decorated with enormous tiger striped decoration it is a lively and vibrant place, with young, friendly and energetic crowd. Located directly parallel to White Chapel Station and with late license and it is a perfect spot to have drink. 

It is also home turf – he noted tremblingly – to DJ Hedgehog, The Dirty Disco Beach Party and a phenomenon known as Asbo Grooves. Setting aside the Collected Love Poems of Gerard Manley Hopkins he had intended to employ as afterparty entertainment, Selwyn turned to the one man capable of accompanying him through the gaping maw of a hipster disco: Paul (‘my pussy is very agitated’) Bromley. Like Hillary and Tensing they mounted the staircase, summiting the vacant dancefloor in Sea Island Cotton just a few strokes before midnight.

And then they danced. Oh, didn’t they just? They danced and they danced, like Auntie Dorothy and Auntie Jean at Sharon and Mike’s wedding. Arms in the air, saddlebags flying like elephant jowls, they danced; and their cellulite snagged the beams of light, splintering them into a thousand tiny shards which ebbed and throbbed about the room like a giant risotto mirror-ball. And always, always half a beat behind the insistent dub-disco throb. One by one others joined them, then veered away: Ian Hundley, curled in mortified embarrassment into the corner, waving the Two Aunties off like a hermit crab. Marc Hundley, with that fixed ‘alright, you can stop now’ grin, lips peeled back like a freshly unwrapped Tutankhamun. And where, oh where was Ryan McGinley? Down the street at Basmati Karaoke Palace perfecting Life on Mars?

It was the best of times, it was the worst of times. At two o’clock in the morning it was time to squeeze out the colostomy bags; Auntie Jean took Auntie Dorothy’s arm, and gently, tenderly, sweatily, they eased each other off the dancefloor, their varicose veins still pulsing to the beat.

Congratulations to Marc Hundley and Matt Connors on a mighty success at Herald Street. We’re so glad we were able to send Selwyn as a Bell End representative. And we promise - we promise - never to do it again.

(all photographs: Henrik Knudsen)

 

April 17, 2012  • Posted in Reflections  •  Tagged with: , , , , , , , , , , , , , , , , , , , , , , , , , ,  •  Leave a comment

A Love That Asks No Questions: Ogilvy at Bell End

Before we go any further, Gentle Reader there’s something you must know. Selwyn and the ladies from Ogilvy go way back. Way. Back. Selwyn and Cindy were mulling over IBM layouts whilst diplodocus were munching the canopy outside Worldwide Plaza. We’d stroll down the corridor to the Norma’s office; she’d be knitting herself a new leotard of sabre-toothed tiger fur, chatting to Gloria. Elizabeth and Leslie would pop by to nurse the iguanodon teat. Portfolios would arrive by pterodactyl from Selwyn’s cave in Olde Tribeca.

Selwyn and Elizabeth bemoan the state of the SAP craft service table

These were the days of Boyko Yore: of Pete Wood in Severus Snape cape and graphite Genesis P Orridge do, promenading the 9th floor corridors trailed by a chorus of neophyte creatives feverishly recording each Midatlantic utterance as though it were a pearl from the larynx of Socrates himself.

P-WOOD (leans on ebony cane topped with sterling silver sapphire-studded rams-head, pauses, closes eyes, moves into trance-like reverie):  I see … I see ..

(chorus shuffles to a halt and is suspended in hushed reverence, dangling in anticipation, pencils trembling over tiny notebooks)

P-WOOD:  I see … I see … (grimaces) … ah, alack, alack, the fog is rolling in …

(palpable gasp of disappointment from chorus)

 … but wait! … aye … aye! … I see … I see a man … in a  … business suit … wearing a … a turban! And he’s carrying … a Thinkpad!

(suppressed squeals of delight from chorus, mutterings of  ’turban’ and ‘Thinkpad’, and feverish scratching of graphite on paper. Chorus shuffles forward, trailing P-Wood into large office. They disengage and distribute themselves gingerly onto beanbags)

Micheal and Julian offer input on new AmEx OPEN campaign

Weaned on a diet of collaboration, mutual respect and long evenings at Raoul’s, we – a loose-knit albion of toddler photographers preparing to shed their diapers –  tiptoed through Truffula Forests of creatives; always hand-in-hand with our Art Buyer guides. Veterans departed, neophytes arrived. There was Sandra, there was Sara, there was Jessica. There was Ali and Melanie and Marcie and Maggie and Jun Lee and Jamie and Jamie; There was Karen and there was Sharon; then there was Elizabeth again. And Sharon again too. There were more even than these, but gin has addled the brain, we hear snatches of the tune but grope for the lyric. Suffice to say the House of Richards was built upon the Rock of Ogilvy, and in particular, of Cindy. Without Cindy we would be flotsam waxing and waning on the oily beach of commercial photography: alongside the styrofoam McDonalds cartons, used condoms and amputee dolls (and you know which photographers I’m referring to). It is still true to say that behind the door that is two doors behind each new door that opens, there is an Ogilvy alumnus.  Follow that? It’s an M.C. Escher woodcut.

Worldwide Plaza circa 1998

The passage of time, however, wore holes into the elbows of the Ogilvy/Richards social melee. One by one we retreated to our domestic lives. Some of us wriggled our way upstream to distant spawning grounds, where we gathered to cloud the waters with our sperm. One by one the Ogilvy dinners fell away, the bottles went untouched, dust settled on the Tarot reader’s glittering balls.

What unbridled joy then, to be approached by perennial Bellender Jess Fiore and soon-to-be Bellender Bridget Kaczmarek with the idea of a reunion. It’s like the Brazil side of 1970 getting back together. Jairzinho McLaughlin and Rivelino D’Acri down the middle, Pelé Lucas up front. She shoots! She scores!

And how fitting that it took an incipient wedding to make it happen; dazzling Hannah Flora is but a month from tying the Gordian Knot with strapping Lance Villio. What better time and place than Bell End on a Tuesday evening, to shower them both with our love, our toasters and our ceramic cherubs reclining in bathtubs?

Catering by The Smoke Joint, decoration by Bridget and Elizabeth’s Nervous Showers, LLC. Music by the unnervingly lovely Leslie Mendelson – whose cover of John Prine’s Angel from Montgomery Selwyn missed but will not miss next time. The Bell End piano may never bathe again. Guitar and harmonies by the harmoniously chipper Steve McEwan via Eminem, Kenny Chesney and that bastion of cockney rhyming slang, James Blunt.

Leslie Mendelson and Steve McEwan rattle the Bell End ivories ...

April 13, 2012  • Posted in Reflections  •  Tagged with: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  •  Leave a comment

Look, Bellender, On This Island Now

The leaping light for your delight discovers,
Stand stable here
And silent be,
That through the channels of the ear
May wander like a river
The swaying sound of the sea.

This is where Selwyn’ll be next week; London, from 11th to 16th April, whilst Bell End purrs under the guardianship of Vincent et amis, over for a week from Paris. How cosmopolitan we have become. It’s the Roaring 20′s, except in the Suety 40′s. It’s Anaïs Nin with cellulite.

Total Bellender, Marc Hundley, reprises his rib-tickling success with Joan Baez is Alive at Team Gallery in New York last autumn; on this occasion, with Matt Connors at Herald Street in London. Selwyn will be viewing both of their privates with his trusty Petzl on April 14th (although I’m not sure how private said privates will be, considering he’s invited half the cast of Mamma Mia!, along with Henrik Knudsen, Olivia Beasley, Paul Bromley, David, Jonathan and Tom Willis, Piers Van Til, Julia Crouch, the Art Departments of The Guardian, Observer and Times, and his erstwhile milkman, Wasim). It’s all terribly exciting and glamorous and East End urban, in a kind of pearly-queen-meets-horrible-70′s-housing-meets-smelly-doner-kebab-meets-APC-new-standards kind of way. I’m almost wetting my underpants simply writing about it.

For anybody who is passing (by/out/gas) Selwyn will be ensconced in the Town Hall Hotel, in chicly-dreadful Bethnal Green, and will be receiving supplicants bearing gifts. In a sense, he will be like the infant baby Jesus. Pink, lardy, with inverted nipples, meanly wrapped in swaddling clothes and in a manger laid.

He hopes to see you there. Mwah!  Mwah!

April 7, 2012  • Posted in Announcements  •  Tagged with: , , , , , , , , , , , , ,  •  Leave a comment

In Time of War, Sonnet VIII – WH Auden

He turned his field into a meeting-place,
And grew the tolerant ironic eye,
And formed the mobile money-changer’s face,
And found the notion of equality.

And strangers were as brothers to his clocks,
And with his spires he made a human sky;
Museums stored his learning like a box,
And paper watched his money like a spy.

It grew so fast his life was overgrown,
And he forgot what once it had been made for,
And gathered into crowds and was alone,

And lived expensively and did without,
And could not find the earth which he had paid for,
Nor feel the love that he knew all about.

 

April 1, 2012  • Posted in Reflections  •  Tagged with: ,  •  1 Comment